This e-book explores the complicated ways that authors, publishers, and readers contributed to the making of recovery poetry. The essays partially I map a few relevant points of recovery poetic tradition: how poetic canons have been tested via either print and manuscript; how censorship operated in the manuscript transmission of erotic and politically delicate poems; the poetic services of authorial anonymity; the paintings of allusion and intertextual reference; the interpretation and version of classical poetry; and the poetic representations of Charles II. half II turns to person poets, and charts the making of Dryden's canon; the ways that Mac Flecknoe operates via intertextual allusions; the connection of the version texts of Marvell's "To his Coy Mistress"; and the therapy of Rochester's canon and textual content by way of his sleek editors. The discussions are complemented through illustrations drawn from either published books and manuscripts. PAUL HAMMOND is Professor of Seventeenth-Century Literature on the collage of Leeds.
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