By Chris Berry
This publication argues that the basic shift in chinese language Cinema clear of Socialism and in the direction of Post-Socialism may be situated ahead of the emergence of the "Fifth new release" within the mid-eighties while it's always assumed to have occured. via shut research of movies from the 1949-1976 Maoist period compared to 1976-81 movies representing the Cultural Revolution, it demonstrates that the latter already breaks clear of Socialism.
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