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By Paul Breslin

Nobody's Nation bargains an illuminating examine the St. Lucian, Nobel-Prize-winning author, Derek Walcott, and grounds his paintings firmly within the context of West Indian heritage. Paul Breslin argues that Walcott's poems and performs are sure up with an attempt to re-imagine West Indian society considering that its emergence from colonial rule, its ill-fated try at political solidarity, and its next dispersal into tiny nation-states.

According to Breslin, Walcott's paintings is centrally taken with the West Indies' imputed absence from background and shortage of cohesive nationwide identification or cultural culture. Walcott sees this lack now not as impoverishment yet as an open house for construction. In his poems and performs, West Indian historical past turns into a realm of necessity, whatever to be faced, contested, and remade via literature. what's so much vexed and encouraged in Walcott's paintings could be traced to this quixotic struggle.
Linking large archival examine and new interviews with Walcott himself to certain serious readings of significant works, Nobody's Nation will take its position because the definitive research of the poet.

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